Little Big Town consists of Karen Fairchild, Kimberly Schlapman, Jimi Westbrook & Phillip Sweet. They have been together as a group since 1998. Karen and Kimberly met in college in Alabama. Jimi and Karen are married. Kimberly and Phillip are married but to other people. Each person in the group has one child.
Karen and Kimberly met at Samford University in Alabama in 1987. Their friendship forms the core of the group. They ended up in Nashville, where they were joined by Jimi and Phillip. The LBT girls are amazing! Fairchild inspired me to write hundreds of new lyrics! She was my Muse! Kimberly is famous for her curly hair and dimples. She had a cooking show called Simply Southern and wrote a book called "Oh Gussie!"
Karen Fairchild - September 28, 1969
Kimberly Schlapman - October 15, 1969
Jimi Westbrook - October 20, 1971
Phillip Sweet - March 18, 1974
I stumbled onto Little Big Town in 2013. I had been hearing "Good As Gone" & "Little White Church" at karaoke but had no knowledge of the group or how good they were. "Pontoon" going number one had a major impact! Suddenly, they were superstars! When I found out they were performing at the Ryman, I got my ticket.
I see ABBA in Little Big Town: 2 guys and 2 girls! A blonde and a brunette. Blonde Kimberly Schlapman sings high. Dark-haired Karen Fairchild sings low. Jimi Westbrook and Phillip Sweet complete the 4-part harmony that makes the group special. They have 9 albums going back to 2002. They write much of their own material. Jimi plays mandolin. Phillip plays guitar.
Little Big Town went from Mercury Records to Monument, where they released a self-titled album. They ended up on Capitol.
Little Big Town 2002
The Road To Here 2005
A Place To Land 2007
The Reason Why 2010
The Breaker 2017
Wayne Kirkpatrick produced 3 albums. Jay Joyce produced Tornado and Pain Killer. Tornado was number one for 5 weeks and certified gold by the RIAA. "Pontoon" won a Grammy for Best Country Duo/Group Performance.
Some of Little Big Town's album cuts are better than their singles. They impress with their relentless harmony! Not many groups have 4 lead singers! They use an assortment of instruments: guitars, fiddle, mandolin, banjo, dobro, steel, bass & drums.
LBT explores every genre: country, rock, pop, bluegrass, folk & gospel, and they put their own stamp on it. Theirs is the first music I liked since Shania, and I listed my 25 favorites.
1 PONTOON - This is a good song and a well-produced record. The lyrics are a set of commands. I like getting on Nashville's karaoke stages and giving my best Fairchild impersonation! I did not know what a pontoon was and had to google it. Same with a coozie. I was informed that "motorboatin" means putting your face between a woman's boobs and moving your head from side to side while making the sound of a motor boat. The song's bridge is a rap. "Pontoon" was penned by Luke Laird and Natalie Hemby. The intro features Jimi's mandolin.
2 GOOD AS GONE - There is a video. Fairchild comes up the sidewalk to a hotel. She bursts into the room and tosses her cheater on the bed. The 4 convene on the rooftop to finish the song. The lyrics use negative words: "cold, bad, lost & cheap." "Take the next splitsville exit ramp." The outro is intense!
3 TORNADO - Fairchild changes the weather! She had to become the alpha female if Little Big Town was going to go big. This is the title track off their 5th album.
4 GIRL CRUSH - The big song from Pain Killer! Fairchild has a crush on a girl because she has what it takes to get a man. Fairchild wants to be like her. It is not what you think although it is borderline. "Girl Crush" got Song of the Year.
5 LONELY ENOUGH - She believes in God but is angry with him for taking her love. This one grabbed me quick!
6 VAPOR - Vapor is about our lust for life in a context of mortality. We are a vapor, a mist here for a moment and gone forever. I recall kissing my dad. Perhaps we have all done something like that. Photos show our parents younger than we are now. Even "now" slips away.
The song compares our brief lives to fire and paper. "Never too much and never enough!" I am reminded of Shakespeare's "The Tempest." Prospero says, "We are such stuff as dreams are made on, and our little life is rounded with a sleep."
7 SOBER - A song called "Sober" would normally be about sobering up. Not this one! Kimberly wants to stay drunk on love!
8 SHUT UP TRAIN - Fairchild sings the lead in a black & white video. The guitar sounds like The Revolver album.
9 THAT'S WHERE I'LL BE - This has geography. We visit the Arizona Plains, the Mississippi River, the land of hurricanes, the hills of Tennessee & Cisco Beach. Cisco Beach is on Nantucket Island, Massachusetts. More importantly, this song is about a man's need for a woman and the extent to which he will go to be with her. Jimi sings the lead, and he must be thinking of Karen. He bridges the great divide! He has seen the lonely side and knows Karen's worth. She is salvation! I think of my own song: "A Man Needs A Woman." Without a woman, a man is only drifting, a heart without a home. LBT wrote this with Wayne Kirkpatrick.
10 NOVOCAINE- This was the first to grap me at youtube. They performed it at the Grand Ole Opry. "Make you numb to the pain!"
11 LITTLE WHITE CHURCH - In the video, Fairchild struts out of the house, her dominatrix side showing! The others wait on the bridge. Karen has an intensity about her that makes her the leader. She cocks her eyebrow when she sings "free!" Suddenly, the 4 are on the bandstand. "No more chicken and gravy!" The groom fails to show.
12 DAY DRINKING - Country music entered a period when a lot of songs were about drinking. I quit drinking but do this one karaoke. Fairchild does not wait for happy hour. She does not wait til Friday or for the sinking sun. "Sinking, thinking & drinking!" Guilt is associated with day drinking, and Karen blames it on the workday, the heat wave & the "tick-tock" moving too slow. Fireworks make this a summer song.
13 GOOD PEOPLE - My second favorite from Pain Killer! Kimberly got a strong one, and she delivers it in a spunky style. Good people attract good people.
14 NIGHT OWL - Track #11 on the Tornado album. It features all 4 singers. The man wanders back to his woman, and we journey with him past skyways and steeples, county lines and water towers, rolling fields and pastures. It gets dark, and stars begin to fall. His night owl waits, praying for bright headlights. This is a pretty song, and Kimberly has a beautiful voice. Background vocals are a hooting owl.
15 YOUR SIDE OF THE BED - A duet. There are 3 things on Jimi's side of the bed: a picture of their wedding day, a clock that don't work and & the Bible that his daddy gave. The picture and the clock tell us this relationship is stuck in the past. There are 2 things on Karen's side: a burned down candle flame (symbolizing burned out love) and a letter Jimi started and couldn't finish. Their marriage is in trouble, no surprise since country music is about divorce. The song is full of questions. "How'd you get so far away? Aren't you even gonna make a sound? Are you lonely like I'm lonely? Are you still awake?" He lies down quietly without reaching.
16 WOUNDED - LBT is a hard working band! It seems every day I find something new on youtube. Dominant Karen and submissive Kimberly are music's most dynamic one-two punch since Swedish Agnetha and Norwegian Frida. "Battered and broken and bruised, tore up inside over you." Kimberly has a traditional country voice. Karen is a power singer. They complement one another.
17 SELF MADE - Survival. "Who you are is who you trust" is easy to identify with. We call ourselves survivors, although none of us are. Nothing comes easy in Nashville, and I need to come through even when I am down. Karen said the harmony is the real lead singer.
18 FINE LINE - Lots of Cs: "Completely complacent," "You consume," "I get crumbs," & "Comfortably normal." The opening track from A Place To Land.
19 BOONDOCKS - Country themes! They really did grow up in the sticks. They sing of gravel roads, tin roofs, creeks, trucks, tractors, pastures, cows, deer, possums, queen bees, crickets & the moon and stars.
20 MEAN STREAK - Although Fairchild gets the hits, Schlapman has her share of good songs. Little Big Town albums run deep, and "Mean Streak" is an interesting cut from The Road to Here. I wonder why this woman stays with this man. Maybe it is because women love guys who abuse them as long as it does not get out of hand. Women enjoy playing the victim! Kimberly looks and sounds like Dolly Parton and names her as an influence. "Mean Streak" has haunting harmony. The dude is cold as concrete, tough as a back street, rough as a dry creek, hard as an oak tree, mad as a queen bee & hot as Mojave. How does she put up with it?
21 BONES - It starts with "What goes around, comes around," and I hear uncle James. There is finger pointing. A technique they use at the end of certain songs is to return to the opening lines. "Bones" is different from what Little Big Town normally does. There is a gothic flavor, something like we might find in New Orleans. Ghosts and demons! Sins and a wicked moon! Someone is getting what he deserves. Reason yields to superstition.
22 BETTER MAN - Taylor Swift wrote it. She shares her feelings when she writes of permanent damage, pride & standing in the mirror at 4am. It all comes out in the lyrics.
23 LEAVING IN YOUR EYES - The lyrics are mysterious, but it has a nice atmosphere, especially when Jimi sings, "No sign of life or anything."
24 BRING IT ON HOME - It went to number 4 on the country charts. The Eagles are written all over it. Phillip does the lead.
25 THE REASON WHY - The title track on the 4th album. An upbeat love song, Jimi and Karen sang it on The Late Late Show.
Little Big Town gets compared to Fleetwood Mac and The Eagles. I compare them to ABBA. Great harmony and gorgeous women!
LBT is a reservoir of talent, and relationships are at the heart of their catalog. The songs are melodic, filled with emotion!
If ABBA was a country group, they would be LBT. Phillip could pass for Benny Andersson's twin.
I saw Little Big Town at the Ryman, April 30, 2013. They lined up: Jimi, Kimberly, Karen & Phillip. They filled the auditorium with harmony, using 3 musicians: guitar, bass & drums. The drums provided a beat while the 4 prowled the stage. Kimberly was devastating in her slacks and high heels, and I noticed the way Karen's hair crossed over her right eye. The crowd stood on its feet during "Pontoon," "Tornado" & "Boondocks." Karen wore her hat. Kimberly wore her shades.
Little White Church
On Fire Tonight
Front Porch Thing
Your Side Of The Bed
Leaving In Your Eyes
Can't Go Back
Shut Up Train
I'm With The Band
Good As Gone
At the end, they bowed in ABBA fashion. It was my first show at the Ryman since coming to Nashville with my parents in 1961.
I saw Little Big Town again on February 1, 2014, when they opened for Keith Urban at the Bridgestone Arena. It was basically the Tornado album, although they started with "Little White Church" and ended with "Boondocks." Fairchild talked about how they used to play 3rd & Lindsley. Kimberly teased the crowd about "motorboatin."
The third time I saw them was at the Palace Theater on 4th Street in Louisville. It was March 13, 2015, and the street had changed since I saw movies there as a teenager. Anyway, it was a great concert! I had a good seat, and there was not a boring moment! Chills and goose bumps! LBT's confidence soared on the heels of Painkiller.
Luke Bryan was born in Leesburg, Georgia, the son of a peanut farmer. His full name is Thomas Luther Bryan, and he was born July 17, 1976. His father urged him to go to Nashville and do something with his music. He wrote for Travis Tritt, then signed with Capitol Records. The only good song before Tailgates & Tanlines is "Someone Else Calling You Baby." Tailgates & Tanlines made Luke a superstar, producing 3 number ones: "Drunk On You," "Kiss Tomorrow Goodbye" & "I Don't Want This Night to End." Crash My Party came out in 2013 and produced 6 more number ones. I sing Luke's songs At karaoke, something that did not come easy as there are 30 years between us. I studied his songs.
1 COUNTRY GIRL (SHAKE IT FOR ME) - This song was penned by Luke Bryan and Dallas Davidson. The dancer in the video is one of the reasons I like it. The lyric is poetry: imagery, alliteration & similes: "Now dance like a dandelion," "Move like the river flows." Rhymes are stacked on top of each other. The setting is Luke's home state of Georgia, somewhere out in the country. Luke turns up the boom in his truck and jumps out. He stomps his boots in the Georgia mud. It is windy, and it has been raining. He exhorts this country girl to "Shake it." Looking around, we absorb the pastoral scene. There are plants and animals. There are dandelions and pine trees on a hill. There are birds, bees & catfish. There are crickets and squirrels. It is evening, and a full moon is rising. Suddenly, Luke and his girl are in the barn. She is dancing on his daddy's tractor and on the tailgate of Luke's truck. They get to sex, which is what the song is about. The girl with the ponytail and pretty smile is wild! She spins Luke around and tangles him up like grandma's yarn. Country songs like to mention grandparents. Other characters appear: young bucks, rednecks & a deejay. "Country Girl (Shake It For Me)" has a lot of words, and they come fast.
2 DRUNK ON YOU - It begins with a strong image: "Cottonwood falling like snow in July." It is summer, and Luke is with his girl under a full moon. This moon has a name: "buck moon." Sexuality is implicit. When Luke sings "You make my speakers go boom boom," he is talking about more than his speakers. The girl dances on his tailgate in ragged jeans and a tied-up T-shirt. Young people today "dress down." Sex beats alcohol even though "Crown" and homemade wine are present. Luke is high on summertime and drunk on love! She is a 9.9. No one is perfect!
3 I DON'T WANT THIS NIGHT TO END - Nashville tells us to come up with strong images, and this song has strong images indeed: "Your pretty little eyes so blue are pulling me in like the moon on your skin."
"I Don't Want This Night To End" is typical of a modern lyric with its ubiquitous truck and never ending party. Luke is hypnotized by this girl. When I sing, "You got your hands up, you’re rocking in my truck" at karaoke, girls raise their hands and sing along.
Old schoolers lament how country music changed. They want country to be the same as it was during the Haggard and Jones era. Such is not the case! Modern country has strong rock influences. The genre Luke Bryan fronts is called bro-country. Sexuality was prohibited in old country, which is why the singers were miserable and crying in their beer. They were impotent and frustrated! They "cheated" in their attempts to find satisfaction. Today's country bucks do not have that problem. They are sexually liberated!
4 MOVE - "Move" is one of my favorites. It is about a girl whose mamma moved her to the south. She gets in with southern belles and learns the talk of the Bible belt. She cuts her jeans off. Sexy and smooth! Mamma must be divorced and have at least 2 kids. She moved them in a U-Haul, into a tin roof shotgun house. With a one tree yard. "Legs and your hips! Live oak moonlit! Stars of the southern sky! M-o-v-e! C-o-m-e!" Luke is stupefied! He can't move when she moves!
5 GOOD LOOKIN' GIRL - Luke sings to his good lookin' girl. 4 times, he tells her "You don't know." Twice, he tells her "You don't know how." But how could she not know? Surely, she sees the effect she has! "I ain't never felt nothing" used to be bad grammar. It is how people talk now. And how "bad" you turn me on would not have made sense in the old days. Now, it packs energy!
Luke uses the word "little:" "little finger" and "little dimple." Normally, we think of dimples in the plural, but he is hooked on one dimple. In fact, that dimple is shaped like a hook, and it might as well be a hook in his heart. Listen to how his voice softens on the word "heart." He comes back with the word "simple" as an internal rhyme with "dimple." He has got to be wherever she is. "Good Lookin' Girl" kicks in with the chorus, sung 3 times. It is powerful! "Rockin' me, rockin' me! Stoppin' me, stoppin' me! You're so damn fine, and you're on my mind!" "When you roll with me" means riding in his truck and having sex.
6 KISS TOMORROW GOODBYE - Luke and his girl kiss tomorrow goodbye by having sex one last time. Sex is the only thing they do right, and it is not enough. The song has a great intro, nice and loud.
7 STRIP IT DOWN - Luke revives his romance. It is with his college sweetheart and wife, Caroline Boyer.
8 SHE GET ME HIGH - Back on the beach! He loves watching this girl in her bare feet or in her high heels! She has the key to his Bronco. This is one of my favorites with its hip-hop beat.
9 THAT'S MY KIND OF NIGHT - This is "bro-country," country with a hip-hop influence. People Luke's age came up listening to rap, and it is evident in their music. 35s are tires. The Flint River is in Georgia. Juxtaposing Conway Twitty with T-Pain alienates the old timers.
10 SOMEONE ELSE CALLING YOU BABY - A modern country song! The girl is in her new man's truck wearing sunglasses and messing with the radio. Luke pulls over, stunned! 2 weeks ago, he was riding the back roads with her. Luke will not play second fiddle. Give him the word, and he is gone. "Goodbye ain't ever easy!"
11 CRASH MY PARTY - Luke's girl is better than any bar. She is better than the best show. He would turn around at the next red light to get to her, tell the guys they can raise hell on another night. All he has to do is see her face on his phone. People live on cell phones, and he sings, "Call me, call me, call me!" He wants to see what she is wearing and if her hair is pulled up or falling down.
12 ROLLERCOASTER - She is a hippie and a Jesus freak! We know this by the cross and the flower, although Luke picked the flower from the side of Thomas Drive. They are drinking Bacardi and headed for the beach. It is hard to get through a Luke Bryan song without alcohol. They spend a weekend together, and Luke is more affected than he realized, twisted like an old beach roller coaster. He can't get that goodbye back. I guess we have all let someone go and then regretted it.
13 SHUT IT DOWN - "Shut It Down" is from Crash My Party. It is a country love story, and I think Capitol Records should have released it as the third single. It makes me think of the 1950s TV show, "The Real McCoys." This could be Sugar Babe bringing ice tea to Luke as he rides his tractor. His hat is on backwards, but he is looking forward to being with his woman. The productions on Crash My Party are tight. Luke's band is awesome!
14 CHECKIN' OUT - Panama City, Florida, was Luke Bryan's vacation spot, and he did shows on the beach. He put out 7 Spring Break EPs, and there are good songs on them. "Checkin' Out" means checking out good looking girls.
15 YOU AND THE BEACH - He cannot get over the girl he spent time with. Her memory follows him home. The melody and production have that hauntng quality.
16 GAMES - This is about stupid games we play. No one wins! "Lines crossed all over the place" is a curious phrase. The bridge comes fast.
17 SUN TAN CITY - He gets to Panama City and heads to the beach for some girl watching. Coconut covered girls roll in like waves.
18 KICK THE DUST UP - Farmers party when the work is done. They avoid the bars downtown. The beautiful people are in the cornfields.
19 HUNTIN', FISHIN', AND LOVIN' EVERY DAY - More proof that Luke is a country boy. The Flint River and Muckalee Creek flow by. A 9.9hp 2 stroke is a Mercury motor boat.
20 YOU DON'T KNOW JACK - An alcoholic has lost his wife and kids. He knows Jack Daniels and the devil. He is satisfied with his double shot, 80 proof on the rocks, but cautions Luke.